San Diego Children's and Newborn Baby Photographer | Little Sprout Photography

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What camera settings should I use for newborn photography? Top 10 Tips

July 5th, 2010 Permalink

Here are our recommended camera settings/features for getting the best possible newborn baby pictures. Have a question about these tips? Disagree with us? Let us know by leaving a comment on this post.

newborn photographer

1. Use a Normal Lens (50mm or so)

While traditional portrait lenses (100mm and higher) can be more flattering to faces, they require a greater distance between the camera and subject. Since we are working in a relatively small area, 50mm gives us the best balance between image quality and ease of use.

Canon and Nikon both make affordable 50mm lenses which will dramatically improve the quality of your images over any kit lenses. Also keep in mind the crop factor which occurs on some digital SLR cameras. If you are using a non-full frame camera (e.g. a Canon Rebel or Nikon D60) the 50mm lens will act like an 80mm lens. You may want to look at a ~32mm lens to compensate for the additional magnification.

2. Use Large Apertures

A large aperture (small f number) lets in more light and reduces the depth of field. We typically work at f/2.8 to f/4.5 to help blur the background and keep the focus on our little subjects. The fact that larger apertures let in more light is an added bonus.

3. Consider Using a Macro Lens for Details

While the minimum focusing distance of a regular lens is usually around a foot or so, macro lenses let you get super close – an inch or so away – allowing you to fill the frame with the tiniest baby details. Nikon makes two: a 50mm and 105mm. The latest version of the 105 also includes their vibration reduction which isn’t as useful as you’d think. Also, keep in mind the depth of field on a macro lens is extremely shallow! You’ll want to seriously consider using a tripod since the slightest movement will blur your image.

newborn baby photography

4. Full-frame Sensor

If you can afford it, get a camera with a full-frame sensor. The bigger sensor lets in more light, gives your better detail and less noise at high ISOs and eliminates the crop factor found on cameras with smaller sensors. No only will a 50mm lens work as designed, but you’ll get a bit more depth of field at a given aperture than you would with the same f-stop on a crop factor camera.

5. Use a Fast Shutter Speed

Try to keep the shutter speed at or above 1/250 of second. If you’re a steady shooter you can go lower, but since we’re shooting almost entirely hand-held, 1/250 sec shutter speed is fast enough to eliminate any potential image blurring.

6. Don’t Be Afraid of High ISO

You always want to keep your ISO as low as possible, but if you still don’t have enough light, consider raising your ISO value. Newer cameras can hit an ISO of 800 without even blinking, and the latest version of Lightroom/Camera Raw can work wonders on grainy files – they come out looking really great. We recommend raising your ISO before adjusting down my shutter speed because we’d rather have a sharp picture that’s a little grainy than a blurry picture without any grain.

7. No Tripod

When shooting newborns, we’re on their schedule and we need to be efficient shooters. Using a tripod gets in the way and can slows down a shoot. With careful attention to your focusing and shutter speed, you can get away without a tripod. Now, having said that, it can be useful for macro shots, but we would caution against it for everything else.

san diego newborn baby photographer

8. Set Your White Balance to Cloudy

We’ve talked about this on this blog before, but as a general rule, keep your white balance set to ‘Cloudy’ (Approx 5500° Kelvin) for nice warm skin tones. If it comes out too warm, you can always override, assuming you shoot in RAW mode…

9. Always shoot RAW

Always, always, always shoot raw. There’s no reason not to. You have complete control over sharpening, compression, white balance and it even gives you a little latitude if your exposure isn’t spot on. Lightroom, Camera Raw, Aperture and others can be tremendously useful to manage and tweak your raw files so they come out looking great with very little work.

10. Focus on the Eyes

When you’re dealing with a large aperture, the ‘focus and recompose’ method for framing your shot won’t always work. Your depth of field can be so shallow that even small camera position adjustments can knock things out of focus. A better approach is to frame your shot, then move the camera’s focus cursor over one of your subject’s eyes and take the shot.

BONUS: Use Manual or Spot Metering

If you’re comfortable shooting in Manual mode, you can skip this one. If not, use spot metering instead of evaluative (check your camera’s manual for information on how to switch the metering modes). This will let the camera meter off a small area (usually centered on your focus point) instead of trying to look at the whole scene to determine the proper exposure.

Keep in mind that if you’re shooting a newborn on a black background, the camera will try to turn your black background into middle gray, and ruin the image through overexposure. (the converse happens if you’re shooting on a white background). To minimize this, dial in exposure compensation. In other words, if you’re shooting on black, you can take the camera’s default exposure and add a -1ev to the camera. This will tell the camera to subtract a stop from what it thinks is the correct exposure.

To view more examples of these principles in action, click here to visit our newborn photography gallery. If you have any questions about any of these tips, leave a comment below. Good luck!

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May 25th, 2010 Permalink

Updated Gallery

Just a quick note to let you know that we recently updated our gallery. Pop on over to the Little Sprout Photography homepage to take a look at some of our latest images. San Diego Baby Photography.

Lightroom Workflow Tips

Came across an interesting post on a few Lightroom timesavers. We also use the clarity brush for sharpening and have brushes set up for dodging and burning (and softening skin, whitening teeth, etc…) — some good tips here; definitely worth a read.

Speaking of Lightroom…

Here’s an interview with fellow San Diego photographers, the Boudoir Divas discussing their photography business. I found this fascinating:

We are happy to say that our post-procession workflow is now completely streamlined… to the point that we are able to do same-day viewings for ALL of our shoots! Here’s how it goes: Immediately after a session, we have our client leave the studio for an hour, to go grab lunch or a cup of coffee… and while they’re gone, we download their images and edit and process in Lightroom, using presets that we’ve created to go with all of our distinct sets and lighting set-ups. When the client returns in one hour, we have her proofs all ready to go…

We’re not able to turn our images around that quickly because our image processing workflow involves a lot of handcrafted dodging and burning, but, wow, that’s impressive.

Want to instantly improve the quality of your portraits? Whether you’re using a point-and-shoot or an expensive digital SLR, set your camera’s white balance to Cloudy. And leave it there. If you’re shooting people, the cloudy setting does a really nice job of warming them up just a bit…and people usually look better slightly warm than cool. Your mileage may vary, but I find that 9 times out of 10, you’ll see better results.

To illustrate this point, here’s an image using the camera’s auto white balance. This photo was in the shade, about an hour before sunset. The camera decided that the optimal white balance should be 4750 degrees Kelvin, which is a little on the cool side for my taste.

San Diego Child Photographer

NikonD700/24-70mm 2.8 @ 70mm | 1/200s | f4 | ISO400

Here’s the same image using the Cloudy white balance setting of 6500K. Skin tones seem more natural and the background picks up some of the golden tones of the setting sun.

San Diego Children's Photographer

NikonD700/24-70mm 2.8 @ 70mm | 1/200s | f4 | ISO400

What about RAW files?

If you’re shooting RAW files, I still recommend leaving your white balance set to Cloudy. Your photos will look much better coming into Lightroom and it will save you the time of adjusting your images. Of course, since it’s RAW, you can always tweak the color temperature later.

If you’re manually adjusting the temperature in Lightroom, a good rule of thumb is to start around 5000K and slowly increase the temp. until it looks good. Somewhere between 5000-6000K seems to be the sweet spot for portrait photographs in natural light.

Two Quick Lightroom Tips

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June 18th, 2009 Permalink

Lightroom iconPick/Reject
Many times, I’ll end a shoot with dozens (hundreds?) of pictures, which can feel a little overwhelming. After playing with using a star rating system or color-coding my photos, I’ve found the fastest way to sift through the images and quickly sort the keepers from the losers is by using the status flags. Here’s how:

  1. Import your images and make sure you’re viewing unflagged images only. This ensures your picks and rejected photos will be automatically removed from the filmstrip upon selection. I find this helps me keep track of images I’ve already addressed.
  2. For each image, click P to keep it or X to reject it. I am fairly ruthless at this stage — if an image is out of focus or I don’t like to composition, I will go ahead and reject it. If several images look good, I will use the Compare and Survey views to make sure I’m picking the best image of the bunch.
  3. Now switch the flag so you’re viewing rejected photos and delete all of these. No use in wasting space on lackluster images. Once finished, I turn off the status flags so only my picks remain.

I find this simple keep/reject system enables me to quickly sift through large numbers of photos without getting stuck on arbitrary star ratings.

Quick Black & White Check
This one is really easy. From the library or develop modules, select an image and hit the V key. The image will be converted to grayscale. Hit V again to switch back. This is a super easy way to quickly gauge how an image will look in black and white before performing a more thorough conversion.

Black and White Conversions

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June 12th, 2009 Permalink

Quick tip for creating black and white conversions in lightroom: Try sliding the color temperature up to 12000 or so and then desaturating the image. The higher color temperature makes skin appear smooth and creamy, and the funky colors are neutralized by sliding the saturation to zero. From here, you can adjust the Blacks, Brightness, and Contrast sliders to taste…